Phase 2 is also credited as one of the earliest writers of wildstyle. The style became more popular through-out the 1980s. The term "wildstyle" was popularized by the Wild Style graffiti crew formed by Tracy 168 of the Bronx, New York in 1974 and was named after his crew, Wild Style. Some pieces that are considered on the borderline between what is and isn't a wildstyle are called semi-wildstyle or semi-wild. It is also common practice to incorporate 3D elements into wildstyle paintings. Wildstyle pieces often use large amounts of vibrant colours. Arrows are very common in wildstyles, and are used to suggest flow. The letters in wildstyle graffiti are often highly exaggerated with curves and overlapping, intertwined, and interlocking letters. Wildstyle has drawn inspiration from traditional calligraphy and has been described by some as partially abstract but does have specific traits associated with the form. This illegibility is sometimes considered a defining trait of the style. Wildstyle is an extremely complex form of graffiti in which letters have been transformed to the point that it is illegible to those who are not familiar with this style. It is considered the most difficult graffiti style to master. Due to its complexity, wildstyle can be difficult to read for those unfamiliar with the form and process. They are the most complex type of pieces. Wild Style was voted one of the top ten rock n’ roll movies of all time by the Rock N’ Roll Hall Of Fame, and VH1’s Hip Hop Honors acknowledged the film’s influence in Hip Hop with a tribute in 2007.Wildstyle is a complicated and intricate form of graffiti. The movie has been sampled on various classic Hip Hop albums, including ATCQ’s Midnight Marauders, Common’s Ressurection, and the Five Mic classic, Nas’ Illmatic. However, most will recognize their appearance in the film as the catapult of their career. The players that participated and performed in the movie have made themselves legends in their own right. Over 30 years later, Wild Style is still an American pop culture icon. It also showed the poverty and despair that existed in the South Bronx, out of which the culture of Hip Hop emerged. The story is an accurate historical account of how Hip-Hop, in general, was introduced to mainstream America and, later, the rest of the world. Faze introduces Zoro to Virginia, a journalist portrayed by cultural icon Patti Astor, who later shows Zoro to art’s world stage of galleries and museums. Lee Quinones played the main character “Zoro,” the anonymous graf phenom introduced to the art world by his pal and fellow graffiti writer “Faze,” played by Fab 5 Freddy. Other notable legends included Busy Bee Starski, graf legends Dondi, Zephyr, and Revolt, who designed the Wild Style logo, and the Fantastic Freaks. This is why Afrika Bambaataa, the New York City Breakers, The Treacherous Three, or female pioneer MC Sha Rock were not seen in the film. The Furious Five could not appear alongside Flash and had to be cut from the film because of prior obligations to another more mainstream motion picture depicting the development of Hip Hop that came out later called Beat Street. The Cold Crush Brothers, Rock Steady Crew, and Grandmaster Flash were just a few of Hip-Hop’s trailblazers that debuted on Wild Style’s silver screen. With Ahearn as producer and director, the three began embarking on a journey to gather the individuals who would be the faces of this landmark film.ĭeveloping its name from an abstract letter design made famous in the graffiti world by graff king Tracy 168, Wild Style featured some of the most prolific pioneers from all aspects of Hip-Hop. Ahearn found out that Lee was the same graf king whose work he admired while filming in LES. Fab 5 Freddy brought legendary graff artist Lee Quinones to meet Ahearn to discuss further the approach of filming graffiti and introducing it as a legitimate art form. He was soon approached by Fred “Fab 5 Freddy” Braithwaite about making a movie encompassing all elements of Hip-Hop (emceeing, DJing, breakdancing, and graffiti). Visit for more informationĪ member of the collective artist group Collaborative Projects, Ahearn was initially exposed to Hip Hop in the late 70s through graffiti when he went to film the youth in the projects in Manhattan’s Lower East Side that studied martial arts.
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